Leslie Stones Art & Design
  • Artist Background -
    Leslie's work is strongly influenced by the countryside in which he grew up, on various farms in North Yorkshire. Born in 1957, from an early age he was always sketching and painting the farm animals and rural landscape around him The idea of becoming a professional artist however, seemed a distant dream, too unreal to seriously consider.

    His working life began first in the building trade as a joiner, and then as a mining electrician at Brodsworth Colliery near Doncaster, South Yorkshire. The long dark shifts underground reawakened his enthusiasm for the countryside - the colours texture and atmosphere of light on the English landscape. Still with no formal art training, he began again to sketch and paint whenever he could, even sketching his fellow workers underground! With confidence in his artwork growing slowly, he began to exhibit and sell work at local exhibitions, and can still remember his first exhibition sale, a small watercolour of a shooting scene for £12.50!
Leslie would often travel to Leeds or York to visit exhibitions of work by 'proper' artists, the Impressionists or the Pre Raphaelites - artists whose work he had admired in books borrowed from the library as a teenager. Interestingly, Leslie now wonders if seeing these works inspired him, or in fact held him back somehow. For his thoughts when younger were often ; these artists were so good, in their paintings you can feel the damp in the air, almost see the trees swaying in a painted breeze, the landscape so natural so bright - how could those colours have possibly come from a paint tube! Then, on returning home to see your own dim, awkwardly drawn efforts ' laughing' at you from the easel - what a let down, what a blow!

But reflects Leslie, there is something inside you, something that makes you want to paint, to try again and again. Sometimes your work seems heavy and laboured, as if you are holding a brick in your hand, not an artists brush. But then there are the good days - when a painting almost seems to paint itself ! . . . continued plus materials used > ,
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